Overacting (相乘)
Metal overacts on Wood
Metal normally keeps Wood in check. When Metal is far too strong, or Wood far too weak, the check turns into damage.
Classical saying
木弱逢金,必為砍折
Weak Wood that meets Metal is cut down.
Generating: Wood feeds Fire, Fire makes Earth, Earth bears Metal, Metal carries Water, Water nourishes Wood. Controlling: Wood checks Earth, Earth dams Water, Water quenches Fire, Fire melts Metal, Metal cuts Wood. Tap any element to see all four of its relations.
Updated October 17, 2026
Generating cycleControlling cycle
Tap an element, or press Tab and use the arrow keys. SVG and PNG save the diagram exactly as shown.
Diagram mode
Green arrows round the ring are the generating cycle; red arrows across it are the controlling cycle. Every element has four links: what produces it, what it produces, what controls it and what it controls.
The pairs (tap one to see it)
Tap any element on the diagram to see its four relations and the ten gods they become.
Quick answer
Wood feeds Fire, Fire feeds Earth, Earth feeds Metal, Metal feeds Water, Water feeds Wood
Wood controls Earth, Earth controls Water, Water controls Fire, Fire controls Metal, Metal controls Wood
Memory aid
Put Wood, Fire, Earth, Metal, Water in a circle. One step forward is generating; skip one and you get controlling. The Han scholar Dong Zhongshu said it in seven characters: 比相生而間相勝, neighbours generate, alternates conquer.
In Japanese: moku, ka, do, gon, sui. Chinese speakers often list them as 金木水火土 (jīn mù shuǐ huǒ tǔ), a sing-song order that is neither cycle.
The order of production, used in Bazi and on most charts.
Each element controls the next one in the list.
The oldest list (《尚書·洪範》), numbered 1 to 5, the same as the River Chart numbers.
How the five are usually recited in Chinese. Easy to say, but it follows neither cycle.
Generating (相生, xiāng shēng) means producing and nourishing, like a mother and her child. The order never changes: Wood → Fire → Earth → Metal → Water, and back to Wood. Each pair comes with the image the tradition uses for it.
Dry wood catches a spark and keeps a fire burning. Fuel is what Wood gives Fire.
In a chart: if Fire is your Day Master, Wood is your Resource.
Whatever fire burns turns to ash, and ash enriches the soil. Fire leaves Earth behind.
In a chart: if Earth is your Day Master, Fire is your Resource.
Ores form slowly inside rock and soil; every metal is dug out of the ground.
In a chart: if Metal is your Day Master, Earth is your Resource.
Cold metal gathers dew and springs run out of mineral rock. Autumn's crisp air condenses into winter's water.
In a chart: if Water is your Day Master, Metal is your Resource.
Rain and rivers feed roots. Nothing green grows without water.
In a chart: if Wood is your Day Master, Water is your Resource.
Production helps only in the right amount. The classical sayings name two failures: too much mother, where the producer smothers its child, and too much child, where the child drains its producer. Pick a saying to see it on the diagram: the element there is too much of grows, the one that suffers shrinks.
Too much mother (母多子病)
Too much child (子多母弱)
金賴土生,土多金埋
Metal relies on Earth to be born, but too much Earth buries it: support that smothers.
Controlling (相剋, xiāng kè) means restraining, not destroying. Each element checks the one two steps ahead: Wood → Earth → Water → Fire → Metal, and back to Wood. Every element controls one other and is controlled by one other, so no single element can take over.
| Control | Image in nature | In a Bazi chart | Too much (overacting) | Backfire (insulting) | Bridge element |
|---|---|---|---|---|---|
| 木土Wood controls Earth | Roots break up packed ground and draw nutrients out of it; a tree holds a slope in place. | Earth is Wood's Wealth; Wood is Earth's Power. | 土衰逢木,必遭傾陷Wood overacts on Earth | 木能剋土,土重木折Earth insults Wood | 火Fire |
| 土水Earth controls Water | Banks and dams keep a river in its course, and dry soil soaks up a spill. | Water is Earth's Wealth; Earth is Water's Power. | 水弱逢土,必為淤塞Earth overacts on Water | 土能剋水,水多土流Water insults Earth | Metal |
| 水火Water controls Fire | Water puts out fire and cools whatever is too hot. | Fire is Water's Wealth; Water is Fire's Power. | 火弱遇水,必為熄滅Water overacts on Fire | 水能剋火,火炎水灼Fire insults Water | 木Wood |
| 火Fire controls Metal | The heat of the forge softens metal so it can be shaped. | Metal is Fire's Wealth; Fire is Metal's Power. | 金衰遇火,必見銷熔Fire overacts on Metal | 火能剋金,金多火熄Metal insults Fire | 土Earth |
| 木Metal controls Wood | Axes and saws fell trees and cut timber into beams. | Wood is Metal's Wealth; Metal is Wood's Power. | 木弱逢金,必為砍折Metal overacts on Wood | 金能剋木,木堅金缺Wood insults Metal | 水Water |
Control is how the five elements stay in balance. Banks give a river its shape, pruning makes a tree grow straight, the forge turns ore into a blade. The tradition calls this 制化, restraint that transforms, and says a strong element needs its controller before it is of any use. In a chart, a strong Day Master often does best with some Power (官殺) to give it direction.
Control works only when the controller is strong enough. If the element being controlled is much stronger, the attack fails and hurts the attacker: hard wood chips the axe, a flood washes the bank away. This reversed control is the insulting (相侮) described below. Pick a saying to compare control that works with control that backfires.
Strong ones need control (宜剋)
Control backfires (反剋)
金旺得火,方成器皿
Strong Metal needs Fire: only the forge turns raw ore into useful tools.
Two Day Masters that control each other (Metal and Wood, Water and Fire …) are not a verdict. What matters is the bridge element and the whole of both charts.
Besides normal control, Chinese medicine and Bazi describe two abnormal kinds. Overacting is control that goes too far; insulting is control that turns back on the controller. Both start from the same thing: one element has too much or too little.
氣有餘,則制己所勝而侮所不勝;其不及,則己所不勝侮而乘之,己所勝輕而侮之。
When an element has a surplus, it overpowers what it controls and insults what should control it. When it falls short, what should control it overacts on it, and what it should control looks down on it and insults it.
Pick an element
Overacting (相乘)
Metal normally keeps Wood in check. When Metal is far too strong, or Wood far too weak, the check turns into damage.
Classical saying
木弱逢金,必為砍折
Weak Wood that meets Metal is cut down.
Insulting (相侮)
Normally Metal controls Wood. When Wood is far too strong, or Metal far too weak, the arrow flips and Wood pushes back on Metal.
Classical saying
金能剋木,木堅金缺
Metal cuts Wood, but hard wood chips the blade.
| Overacting (相乘) | Insulting (相侮) | |
|---|---|---|
| Direction | Same as the controlling cycle (Metal → Wood) | Reversed (Wood → Metal) |
| Cause | The controller is too strong, or the controlled element too weak | The controlled element is too strong, or the controller too weak |
| Example | 木弱逢金,必為砍折: weak Wood is cut down by Metal | 金能剋木,木堅金缺: hard Wood chips the Metal blade |
| What helps | Support the weak element (its producer or its own kind), or drain the controller | Strengthen the controller, or drain the element that is too strong |
生剋制化 (production, control and the balance between them) is the idea that the two cycles keep each other in check. Its most useful tool is the bridge element: put the element the controller produces between the two, and the clash becomes a flow. Pick any two elements to find it.
First element
Second element
Metal controls Wood. Add Water: Metal feeds Water and Water feeds Wood, so the control becomes a chain of support. Water is the bridge element.
In ten-god terms: if Wood is your Day Master, Metal is your Power and Water your Resource, so Power feeds Resource and Resource feeds you. If Metal is your Day Master, Wood is your Wealth and Water your Output, so Output turns into Wealth.
Seven Killings and Resource produce each other (殺印相生)Officer and Resource produce each other (官印相生)Output produces Wealth (食傷生財)
Classical saying
強金得水,方挫其鋒
Strong Metal that finds Water has its sharp edge softened.
The bridge is always the element the controller produces. The classical line in each row says the same thing from the other side: a strong element is best calmed by what it produces.
| Clash | Bridge element | Chain | Classical line (強者宜洩) | Bridge color and direction |
|---|---|---|---|---|
| Metal controls Wood | 水Water | 水木 | 強金得水,方挫其鋒Strong Metal that finds Water has its sharp edge softened. | Black, navyNorth |
| Wood controls Earth | 火Fire | 木火土 | 強木得火,方化其頑Strong Wood that finds Fire turns its stubbornness into warmth. | Red, purpleSouth |
| Earth controls Water | Metal | 土水 | 強土得金,方制其壅Strong Earth that finds Metal has its blockage cleared. | White, goldWest |
| Water controls Fire | 木Wood | 水木火 | 強水得木,方緩其勢Strong Water that finds Wood slows from a torrent to a stream. | Green, tealEast |
| Fire controls Metal | 土Earth | 火土 | 強火得土,方止其焰Strong Fire that finds Earth settles and stops flaring. | Yellow, brownCenter |
An element that is too strong can be controlled (剋), drained (洩) or worn down (耗); one that is too weak can be produced (生) or joined by its own kind (扶). Which one a chart needs depends on Day Master strength and the favorable elements, not on counting.
| Element | If too strong | If too weak | |||
|---|---|---|---|---|---|
| Control it (剋) | Drain it (洩) | Wear it down (耗) | Produce it (生) | Join it (扶) | |
| 木Wood | Metal | 火Fire | 土Earth | 水Water | 木Wood |
| 火Fire | 水Water | 土Earth | Metal | 木Wood | 火Fire |
| 土Earth | 木Wood | Metal | 水Water | 火Fire | 土Earth |
| Metal | 火Fire | 水Water | 木Wood | 土Earth | Metal |
| 水Water | 土Earth | 木Wood | 火Fire | Metal | 水Water |
Read across: the row element is "me", the column is the other element, and each cell says what I do to it. Tap a cell to light the pair up on the big diagram.
| Me ↓ · Other → | 木Wood | 火Fire | 土Earth | Metal | 水Water |
|---|---|---|---|---|---|
| 木Wood | |||||
| 火Fire | |||||
| 土Earth | |||||
| Metal | |||||
| 水Water |
Wood controls EarthTap a cell to show it on the diagram
Bazi reads every element in a chart from your Day Master. What produces you is Resource (印), what you produce is Output (食傷), what controls you is Power (官殺), what you control is Wealth (財) and your own element is Self (比劫). Pick a Day Master element to see the map.
Day Master element
What produces me is Resource (生我者為印)
ResourceWater feeds WoodIndirect ResourceDirect Resource
What I produce is Output (我生者為食傷)
OutputWood feeds FireEating GodHurting Officer
What controls me is Power (剋我者為官殺)
PowerMetal controls WoodSeven KillingsDirect Officer
What I control is Wealth (我剋者為財)
WealthWood controls EarthIndirect WealthDirect Wealth
What equals me is Self (同我者為比劫)
SelfWood meets Wood: same elementFriendRob Wealth
The five families sit on the same ring, so they follow the same cycles. These ten links are what combinations like "Seven Killings meets Resource" are built on.
Generating cycle
Controlling cycle
Find your Day Master
The stem of your day pillar is you. Its element sits at the centre of the ring, and every other element is read from it.
Weigh the elements
See which elements are strong and which are missing, and whether your Day Master is strong or weak. Strength decides whether being produced or being controlled is welcome.
Follow the flows
Look for chains (Wealth feeding Power feeding Resource), clashes that need a bridge, and the elements your chart leans on: those are your favorable elements.
五行 (wǔ xíng) literally means "five movements" or "five phases". They are less five substances than five kinds of change, used for some 2,500 years to describe seasons, directions, the body and fate. The idea grew in layers.
Zhou dynasty
The first list: 《尚書·洪範》
The Hong Fan chapter of the Book of Documents names the five in the order Water, Fire, Wood, Metal, Earth and gives each its nature: water soaks downward, fire flames upward, wood bends and straightens, metal yields and changes shape, earth is sown and reaped.
Spring and Autumn
Five materials (五材)
The Zuo Zhuan speaks of five materials that heaven gives and people use together, not one of which can be done without: practical stuff rather than cosmic forces.
Warring States
Zou Yan: yin-yang and the five phases
Zou Yan joined the five with yin and yang and taught the five virtues cycle (五德終始): each dynasty rules by one element and falls to the next in the controlling order. The First Emperor of Qin chose Water to overcome the Zhou's Fire.
Western Han
Dong Zhongshu writes down both cycles
His Chunqiu Fanlu has separate chapters on generating and on conquering, and fixes the order Wood, Fire, Earth, Metal, Water: neighbours generate, alternates conquer.
Han dynasty
Medicine: the Inner Classic
The Huangdi Neijing maps the five onto the organs, emotions and seasons, and describes overacting and insulting, which Chinese medicine still teaches today.
Sui dynasty
Xiao Ji's Wuxing Dayi
A compendium of everything then known about the five phases. It reached Japan early and shaped Onmyōdō and the court calendar there.
Tang to Song
Bazi: the elements read from the Day Master
Li Xuzhong and Xu Ziping built fate reading on the stems and branches. Xu put the day stem at the centre, and the generating and controlling cycles became the ten gods.
The oldest description of the five elements is not about cycles at all, but about how each one behaves. It lists them as Water, Fire, Wood, Metal, Earth, numbered 1 to 5.
水曰潤下
Water soaks and flows down: it nourishes, sinks and seeks the low ground.
火曰炎上
Fire flames upward: it rises, warms and lights things up.
木曰曲直
Wood bends and straightens: it grows, branches out and can be trained.
金曰從革
Metal yields and changes: it can be melted, cast and reshaped.
土爰稼穡
Earth is sown and harvested: it holds, carries and brings things to ripeness.
The idea is still all around: Japanese and Korean weekday names (火曜日, 水曜日, 木曜日, 金曜日, 土曜日) come from the five planets named after the elements; Chinese medicine pairs them with the organs; the Japanese doyō (土用) days before each season come from Earth's place between the seasons; and feng shui maps them onto the compass.
Each element also stands for a season, a direction, a color, an organ and more. These links come from the same classical texts; tap an element for its full page.
| Element | 木Wood | 火Fire | 土Earth | Metal | 水Water |
|---|---|---|---|---|---|
| Heavenly stems | 甲乙 | 丙丁 | 戊己 | 庚辛 | 壬癸 |
| Season | Spring | Summer | Late summer (season changes) | Autumn | Winter |
| Direction | East | South | Center | West | North |
| Color | Green, teal | Red, purple | Yellow, brown | White, gold | Black, navy |
| Climate | Wind | Heat | Damp | Dryness | Cold |
| Yin organ | Liver | Heart | Spleen | Lungs | Kidneys |
| Emotion | Anger | Joy | Worry | Grief | Fear |
| Taste | Sour | Bitter | Sweet | Pungent | Salty |
| Virtue | Benevolence (仁) | Propriety (禮) | Trust (信) | Righteousness (義) | Wisdom (智) |
| Planet | Jupiter | Mars | Saturn | Venus | Mercury |
| Celestial animal | Azure Dragon | Vermilion Bird | Yellow Dragon | White Tiger | Black Tortoise |
| Shape | Tall, upright | Pointed, triangular | Square, flat | Round, arched | Wavy, irregular |
Traditional correspondences only. The organ links come from classical Chinese medicine and are not a health diagnosis.
The cycles, sayings and history on this page come from these public-domain texts.
See the cycles in your own chart
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